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Pop Art

A pre-event microsite designed for the conceptual client, Textil Museum Tilburg. Our team sought to create an online presence for our client by exploring design precedents and principles, guiding our team toward decisions that achieve a meaningful user experience that resonated with our target audience and established our client’s identity.

Click here to test it out!

The project required us to design a microsite that conveyed the event's theme while aligning with the museum's brand identity. Inspired by Wolfgang Weingart's design philosophy, we sought to combine classic pop art elements with modern digital aesthetics. The goal was to create a visually stimulating experience that resonated with the target audience, offering them a preview of the event’s content before attending.

Understanding

As we explored Weingart's design precedents, a clear quality began to surface that could be observed in his montage works. He primarily made the use of transperancy in order to facilitate the layering process that was so prevalent in his works. This, along with carefully placed geometric elements added greater visual depth as well as accentuated different visual hotspots to which the viewers eyes were guided. 

Research

Through the line of investigation, breaking the parameters of geometric shapes, surfaced translatable elements for the microsite. Intending to bring the event to the user before the user went to the event, the qualities discovered provided an initial framework for the placement of elements while the principle guided the framing of content for interactions. This built a balance between the being as expressionist as possible whilst maintaining functionality by conveying information efficiently. 

Review

We selected two distinct typefaces to complement the visual theme of the microsite:

  • Dunbar Tall: Its extended, condensed letterforms bring a retro sophistication, adding a classic touch to the design.

  • Montserrat: A modern sans-serif font that balances the retro elements with its clean lines and readability.

These fonts were chosen to bridge the gap between vintage and contemporary design, ensuring both style and readability. The combination of these fonts helped to maintain a cohesive visual language across the site while supporting the core theme of revitalizing the old with the new.

Font

Applying monotone allows them to blend into the composition without being visually busy and reinforces the idea of revitalising the old with the new, the core theme of our design direction. The brightness brought by neon monochromatic palettes stimulate varying levels of alertness to engage and lead users through the content of the microsite. The important usage of colour became one of the foundational aspects of the user experience, due to the usage of expressionism that would have, at times, inadvertently confused users. 

Colour

In developing the prototype, we focused on the principles of Gestalt Theory—specifically, the law of common regions—to help users intuitively understand how to navigate the site. The design was purposefully expressive, incorporating vibrant colors and dynamic elements. We aimed to balance artistic expression with usability, ensuring that users could easily find and interact with the content while enjoying the visual experience.

Prototype

Reflections

This project was one of the most influential in my journey for developing a competency for user experience design by way of reinforcing all that I had learned throughout my undergraduate career in UI/ UX design. I learned aspects of visual design from an atomic level onwards through fonts in their spacing, structures and how the complement each other- moving onto grids and how they act as invisible leylines in structuring elements on a page. The process of exploring design ideas through designing initial posters, brainstorming and analysing font-pairings and experimenting with ways a historic design precedent such as pop-art could be transferred to fit a more modern context. Much of my understandings of the importance of grid structures, copywriting and colour usage, was also gained from this, allowing me to better develop and design different visual identities unique to each client I may encounter in the future.

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